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Artist's Comments
EDIT:
I've changed the color of the board and finished (more or less) painting the horse. What say you? I think I like both, for different reasons. ----------------------------------------- Okay, so I'd like to ask you equine experts a question: Is this more like an Andalusian, or a Lusitano? Or maybe neither? I'm ashamed to say that I have a very hard time identifying them. But maybe they are not all that different from one another... Anyways, this was one of the most successful challenges I've given myself as of now. Firstly, note that I have NEVER painted a horse using proper acrylics before, secondly, never have I on this small a scale (5x7" again) and third, this is also a brand new surface. This time it's Pastelbord, yet another gorgeous product from Ampersand. I think I've fallen in love with these exotic surfaces... when I get the proper funds, I'm going to buy a lot more of these, and in different sizes (if it's not TERRIBLY expensive, that is. Another question I'd like to ask: This is a WIP, and I'd like to ask what would be a suitable background color. Right now it is the bluish grey of the board itself. Also, I am planning on continuing the horse's chest to the edge of the board. I just got a bit lazy, hehe. Another thing that I am pleased about: I took this inferior photo with my laptop camera. Those of you who have used them know that they present you with the mirror image of what you are photographing. And I am pleased to say that it also looks equally good in reverse! I have troubles with this now and again. Also, I was able to get the colors just a bit closer to the original by tweaking in Photoshop. I daresay you'll get the idea of how it's supposed to look... I did not use a reference for this painting. I did a quick overview of several Lusitano portraits to get the essence of their beautiful heads in my mind, but that's about it. Which makes me even more excited by this series... there will be two more, as it stands now (a Friesian and a Haflinger). Let's just see how those go! These are for a sale. Let's see how they do in the next 2 weeks! If you have critiques or comments, I'd love to hear them! Art (C) April Schumacher Commentswow! this is amazing!! im seriously in love, you should make this a print.
um. breed? im not sure. -- ars artis gratia Hi April.... Exquisite work, simply wonderful.... You go girl!
Umm... background colur... I'd choose a lovely pale pastel pink or very pale orage, of course, blushing that colour into the shadows (without going over the top... which I know you won't) to unify the whole thing. ps, watch that cropping! -- Feel free to stop by my new website: [link] Blog: [link] In the thumb before I saw it was yours, I thought someone had modified a Durer etching. The head-down pose is very classical, love it. I'm tempted to vote for this stormcloud-grey of the board, with some subtle variation orange/pink as aaron suggested. But, I'm a big fan of stormclouds, so that figures.
Beautiful painting!
To answer your question, the 'Roman' nose is a Lusitano trait, while the crested neck is more common in Andalusians. However, since they are both Iberian breeds, and were not considered separate until recently (1960's or 70's), I'm sure the traits can still be found in both. No worries. I like the background color as is. It does not distract from the subject. -- My mind is running wild...I've got it tagged to track its movements. I don't know much about horse breeds, but I do like the natural color of the board, and I think this is looking very nice.
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April 11
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Critiques
This is a very emotional piece that leaves me wondering what left the horse in such a sad state, which is good; art is always supposed to invoke emotions and feelings, is it not?
The anatomy and the understanding is quite good, though I agree, his chest may be a tiny bit shallow, though it's certainly no big problem.
It's absolutely beautiful!
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